Artistic Statement

Artist Statement

My artwork is recognizable by its sheaves of colors that evoke pyrotechnics: Bouquets of light that transform each of my works on glass or on canvas into a feast of sparkles and twinkles. Vibrant beams, outbursts, cascades of peonies, palm leaves, flash rockets and report shells, and weeping willows... My paintings are driven by a gesture that is becoming more and more precise over time, my movement reaching new depths in an incessant quest for capturing light in motion.

It is an incandescent process that characterizes me as fireworks illuminating the sky. I have been devoting myself for years into searching, testing, and developing this pictorial style that reflects my life, expresses my thoughts, transcends my memories, and dresses up my dreams. A trajectory that deliberately avoids the straight line, inspired by the mountains I now prefer to the Manitoba meadows among which I have lived for sixteen years.

My style is not only willingly explosive: Using off-the-wall media surfaces also influences my approach. At this stage of my art, glass and mirror are calling me on, because they allow one to see the first application of paint at the backside of the glass, then the final touch on the front of the work. The viewer can therefore simultaneously appreciate the first and last step of the production and get a glimpse of the path of creation, which becomes part of his personal experience. From the first trait of color to the last brushstroke, from earth to stars, this artistic approach is an invitation to discover the arcane of the act of creating.

This approach, this reasoning, requires a constant search for media surfaces at glaziers, hardware stores, Plexiglas makers, masons and even gravestones manufacturers or spacers. All possible materials come into play. This itinerary from one medium to another, from one work to another, expresses my search for continuity, my desire to renew my imaginary, to dare an always transformed practice, as it shows in my large pieces measuring up to 80" x 80".

My artistic vision does not underlie any political, social, theoretical or anecdotal message. The aestheticism appropriate to decorative art is paramount. Because my paintings are overflowing with color, they require a stripped-down environment. My motivation is exclusively devoted to decorative art, and finds its echo in the physical setting of my personal workshop. This space of creation presents itself as a minimalist environment, bright, and where white is most prominent. It is a pure jewel case where my works can crack the air. My communication with the art lover deploy themselves through this studio which is both a physical representation of my faith as an artist and a place of exchange with the collectors who experience from the first look, from the first interrogation, the beginning of their interpretation of my artistic identity.

The Art Studio that bears my name is a new location that expresses my ardent desire to dedicate myself entirely to my art and my aesthetic quest. I want my works to make their way into the hearts of visual art lovers and find their place in their living space. My creative approach is the reflection of my life: complex, polychrome, varied, a rather joyful pandemonium, to better access, each time, to a new level of my expansion.


After a certificate of floristry, a Bachelor of Arts and a Master's degree in Education obtained at Université de Montréal, Lise Tanguay Chowdhury continues her career in the field of human resources (Université de Montreal, Merrill Lynch, Design et Communication Inc., Hilton International, Hercules Canada, Holt Renfrew, Ramca and The Mutual Group, Sun Life) prior to becoming Vice President of Human Resources for an international company that led her to live in Winnipeg and St. Louis, MI.

In 2000, she wrote her doctoral thesis Designing a Brain Compatible Organization - Lao Tzu vs. Napoleon, presented to 122 organizations member of the North America's Fortune 500.


Club de Golf Le Balmoral, Saint-Sauveur (2016)
Salon du Design, SIDIM, Montréal (2017)
Galerie d’Art Pauline T. Paquin, Saint-Sauveur (2017)

Lise Tanguay Chowdhury
in 5 words


I am in a continuous state of evolution. I feed my growth. I keep learning new techniques, new ways to practice, and new philosophies.


I transpose on various media surfaces the inner fireworks that light my soul and burn the tip of my fingers.


Live and let live. Those who judge will never understand.


The slow and steady wins.


Lao Tzu. Architecture. Minimalism. Biographies revealing courage and ingenuity like the one of Barbe Nicole Clicquot née Ponsardin « Veuve Clicquot ». The wickedness of V.S. Naipaul. The disarming genius of Yousuf Karsh. The weirdness of Toulouse-Lautrec. The conceitedness of Frank Lloyd Wright. The funny absurdity of Tina Fey. The greatness of William Hearst. And most of all, the life and architectural work of Julia Morgan.



Obtained a florist certificate and dreamed of owning my own shop. My most successful pieces were funeral wreaths!


Completed a Bachelor of Arts at the Université de Montréal


Completed a Master of Education at the Université de Montréal


Wrote my PhD dissertation, “Designing a Brain Compatible Organization—Lao Tzu vs. Napoleon,” which I never defended but instead presented to 122 Fortune 500 companies across North America.

1977 à 1993

Worked in mostly human resources positions within a variety of companies: Université de Montréal, Merrill Lynch, Design et Communication Inc., Hilton International, Hercules Canada, Holt Renfrew, Ramca, The Mutual Group, and Sun Life Ontario.

1994 à 2007

Worked as Vice President of Human Resources for an international company, commuting between Winnipeg and St. Louis, Missouri, for 13 years.


Operation: Rebuild.


World Book and Copyright Day: my poetry was selected for a public reading at Mont Tremblant. Various texts (Doux maître Marco, Le Monsieur des bouteilles, I used to be so pretty, etc.) can be found on my website at


Exhibit at the Balmoral Golf Club.

2017 - mars

Opening of my art gallery at 457 Chemin Flynn, Saint-Sauveur.

2017 - mai

Exhibit at the Salon du Design (SIDIM).

The sum of my choices, the common thread, and my practices.

One word: DEVELOPMENT. Am I growing? Am I pursuing growth? Am I learning new techniques, new methods, new philosophies?

I intend: to live from my art by producing vibrant pieces that recall Holi, India's festival of colour.

I act: to produce works that delight buyers and allow me to express myself like a firecracker bursting through the air.

The outcome: a life that has left many people confused (me most of all), but each fracas takes its place along an enamoured path of coherence.

What makes me original? My transparency. My technique. The surge of colours. The generosity of material.

How do I stand out? Each work is a celebration, like a family dinner at a well-stocked table.

My values? Live and let live. When we understand, we cannot judge. We all have the right to live as we see fit.

My message? Slow and steady wins the race of life.

I am influenced by: architecture and minimalism. Biographies of innovative personalities that reveal the Veuve Clicquot’s courage and ingenuity, V. S. Naipaul’s wickedness, Yousuf Karsh’s simple genius, Toulouse-Lautrec’s peculiarity, Frank Lloyd Wright’s pretention, Tina Fey’s absurdity, William Hearst’s greatness, and the life and architecture of the pioneering Julia Morgan.

My sympathies: Lao Tzu (the basis of my dissertation).

My interferences: reductionist minds: Yes but, and if you just...